LEICESTER CITY 0, LONDON .. what?
LEICESTER CITY 0, LONDON .. what?
A
localised lockdown feels like camps, or the start of camps
If I’m
honest. As they strive to summon a dome over
Leicester,
Joe Orton’s ghost boils through earth. That infamous
Son of
this recently stricken city would have sneered and
Laughed
darkly at the fate of his old place of birth.
But
watching it for us, on the news, chills such heat,
Making
vapour. And I can smell the steam of souls rising
And the
taint of fear pushed through gas. It feels like an
Experiment
made in some old horror feature. Or, no doubt
A Stephen
King novel, with the sourced supernatural
Successfully
primed for attack. Not that Covid came
From
Space, or from the heat of Hell, or warped Heavens.
Even if
the spell it has conjured feels necromantic at times.
As we
have no solution, no seal, so play with the streets
Between
people; using somewhere regional for strange
Practise
that will do what it can to close minds.
Meanwhile
in Zone 1 and the corrupted caves around
London,
the Pubs throb to open, filling the throats
Of the
dry. Who have cried out for release and sought
Oblivion
through hand drowning, chugging the sea back
Inside
them to douse doubt and sink sweetly without
Ever
truly wondering why. All we want is return.
Too many
home goals proved distasteful. And now,
With one
penalised city, those at the top of the league
Can run
free. We can set a proper score for ourselves
While
other teams trail now behind us, and our dark,
Distant
captains in exchanging their shirts bare the number
Of that
Crowley defined famous beast. So, where will be
Next?
Liverpool? Because, as they probe, they will need
A
supposedly working-class city. There to oil the wheels
And
mechanics of the Economy’s fat machine, without
Choice.
Or Manchester, perhaps. Or, Cardiff, or, Glasgow.
Not that
Nicola Sturgeon’s tartan mask would permit them:
Would
that we had her pluck and firm voice. They couldn’t,
I don’t
believe try it here, unless they fled instead to their
Bunker,
or, perhaps Mogg’s Cayman island, or Boris’
Prized
Mustique. Where many mysteries lurk, mostly
Around
Princess Margaret and John Bindon’s penis,
Big
enough so they tell us to run any flag up to its peak.
Such a
flag pole stands now above the kind of camp
Leicester
fashions, speaking to me of a future
In which
those with a cold set new style. That will see
The old
without clothes and hustled fast to the ashtray,
While the
Aryan blonde performs press-ups
And the
truly dividing line runs for miles. It simply
Doesn’t
add up. Nor does it balance. Across supposedly
Level
earth, all’s tectonic and the land and lie separate.
Held by
our homes, the cage becomes just more spacious.
But it is
still a cage. Kick against it. This is how pride
Compensates.
For there will be many who push
And press
and play now against us. Hope and hate
Now play
football. A game of course we can’t witness.
So as the
days begin closing, claim untested air,
Feel its
weight. For what hangs heavy now in our mouths
Is none
of the old, lost excitements, but the chance
To
breathe again beyond borders; the chance to live
And learn
a new taste.
David Erdos June 30th 2020
For more poems from David Erdos visit The Corona Diaries collection
David Erdos is an actor, writer, director with over 300 professional credits. He is a published poet, playwright, essayist and illustrator. He has lectured on all disciplines in theatre and film for leading performing arts colleges, schools and universities around the world. His books include EASY VERSES FOR DIFFICULT TIMES, THE SCAR ON THE CLOUD, OIL ON SILVER, NEWS FROM MARS, CHANGING PLACES WITH LIGHT (penniless press) and BYZANTIUM with the photographer Max Reeves. He is a contributing editor for The International Times and maker of documentaries all over the world. David’s work has been acclaimed by many leading figures including Harold Pinter, Heathcote Williams, Alan Moore, Andrew Kotting, Chris Petit and Iain Sinclair in whose recent book THE LAST LONDON, David features. He can be reached at David.erdos@sky.com.
David Erdos
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© David Erdos has asserted his moral rights as author of his work and has full copyright.
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