THE SECOND SHADOW
THE SECOND SHADOW
I stopped writing for a while and
watched
As the world started to believe
itself better,
Adapting itself to a normal, or
variant of,
Lizard like. Shedding a warped, older
skin
For scales unknown to flesh itself,
or to justice,
While suddenly foregoing a balance
that no prize
Or pigment could ever truly justify ,
or make right.
I have worked, been away, and
considered the acid
Changes in others, from masks to
mayhem as we
Stumble and slide far from sense.
People seem
More different each day; Coronic Body
Snatchers;
Successfully slowed, even slyer, as
if enforced
Distance had managed to somehow
reshape,
Or strengthen, or even reinvent past
pretence.
The illness has engendered a void in
which fell
Both purpose and direction, as we
take up the reins
Of wild horses, who may bolt and cast
us off, as death
Looms. Or rather, mask all the more,
as I certainly
Can’t breathe while I wear them - on
an empty train,
Or, in shops now, where my own air
betrays me
And makes of my face a shroud room.
And then today,
A new clip on a Whatsapp chain chills
me.
That punning name aptly serving the
horror I see
On the screen. Go on to Google,
doomed friends
And type any three-digit number. Add
the two words;
‘new cases’ and you will see the same
number of coronic
Deaths somewhere. Type again a new
number and that
Will duly appear. Its obscene. What
is this; algorhythms?
Control? Or some deeper magic? Luck
of the draw?
Gremlin? Goblin? Or raped Pixie pixeled
to prise
And produce Death’s update?
Apparently, there are
Invisible hands under yours as you
tap phone or keyboard.
And there would seem to be second
shadows as truth itself
Pixelates. What are we to think, and
who or what
Do we retrieve from the mire? On the
British news,
This is mirrored as the Government
Stats become game.
You can have suffered this strain
weeks ago and then
Promptly recovered. Were you to then
get run over, or cancer,
Yours would be a covid death all the
same. We have replaced
The horror genre for months with the
simple illustration
Of numbers. Played with the same
solemnity of the Lotto,
The risks of outside were made grave.
Yet recently,
All’s repaired, as we were Lazarused
from our houses,
And told to obey as a token, by
wearing our mask here
But not here. So, who’s saved? And
meanwhile,
That second shadow still stalks, as
if the Sun’s
Were a shield death delivers, hiding
itself behind darkness,
And making even light itself seem
depraved. Something’s
Afoot. So, I sit and stop mine from
walking.
As the world turns, I am sliding, and
idling too,
As I try
to figure out the fresh way
And at some point in the day
reconfigure.
As it would appear every hour reveals
a separate
PathTime can fly. That second
shadow’s here still
It sits under this writing. I hear it
in my voice
And about me and I catch its shade
and shape
In my eye. But is it design, or
happenstance,
Or direction? Look how my hands try
to capture
The ghost in the glare, the soul’s
rise. Carry on,
As you will, but the peripheral is
the problem.
And perhaps also the answer, for
there,
In the flicker, is the fiction and
film
Truth describes.
David Erdos July 29th 2020
For more poems from David Erdos visit The Corona Diaries collection
David Erdos is an actor, writer, director with over 300 professional credits. He is a published poet, playwright, essayist and illustrator. He has lectured on all disciplines in theatre and film for leading performing arts colleges, schools and universities around the world. His books include EASY VERSES FOR DIFFICULT TIMES, THE SCAR ON THE CLOUD, OIL ON SILVER, NEWS FROM MARS, CHANGING PLACES WITH LIGHT (penniless press) and BYZANTIUM with the photographer Max Reeves. He is a contributing editor for The International Times and maker of documentaries all over the world. David’s work has been acclaimed by many leading figures including Harold Pinter, Heathcote Williams, Alan Moore, Andrew Kotting, Chris Petit and Iain Sinclair in whose recent book THE LAST LONDON, David features. He can be reached at David.erdos@sky.com.
David Erdos
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© David Erdos has asserted his moral rights as author of his work and has full copyright.
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