KINGDOMS
KINGDOMS
Former
roads led to Oz, mine goes to Uxbridge;
A
settlement in the suburbs that is a fifteen Minute
Walk from
my home. Not a palace, as such,
To
consumerism’s slick kingdom, more like an outhouse,
But which
has swiftly become in reflection as mythical
To me as
old Rome. Which legendary roads
Once
arced there before contagion carved that grand city;
The site
for Sorrentino, and Caeser, Fellini and two
Or three
of my friends. And another nation state,
Let’s be
frank, that has been less than quick to the rescue;
As no God
saves yet or graces the efforts of man
Near his
end. Or, certainly, man as he was, out on a limb
Or rib
beside woman; estranged now from each other
And the
spaces once conquered and reached by a car.
I have
been less than 500 yards from my house
During
this ‘is it a month?’ of confinement, as Uxbridge
Gleams
now beyond me like some sort of compromised
Shangri-La.
A place that may no longer exist, though
Apparently,
there’s still Tescos, an M&S, and a Homebase
And
inevitably, or so it would seem, a Primark.
But now
that sweatshop front has been closed
And the
Uxbridge cures no fouled river. Wherever
And if
ever it stood, such connection has been severed
And
strewn, cut by time. Which has not marched on.
Time has
stalled. And taken all journeys with it.
With life
itself clearly folded along an ominous
And
possibly spiked dotted line. This line represents
Space and
step, that everyone must undertake now
With
caution as we forego premonition and do
What we
must to survive. Which is to live meal and meal
In an
ongoing romance of location, but not
Of a
Venice that’s clotted, or even those calm country
Lanes;
but of places like here: Zone 6 on the tube map,
Which has
robbed Science Fiction of genre as the one
In which
we all feature does not even have its own name.
We don’t
know where we are, and so are prowling
Our
kitchens, like Zombies, searching for scraps,
Treating
others, if snatched on the street like a threat.
We talk
to our gardens and screens as if those with sense
Were
Altzheimic, as something slick wipes us
Of even
the will or need to forget. We are captive,
Contained
but I think about Michael Moorcock’s
Dreaming
city; in its turns and spires I glimpse a renewal
Of sorts
and feel heat. Let every house now embed
And
become a true castle. Let the nation states better Brexit
And
become a Universal Union, street by street.
That
double U will enhance and assist individuals,
And let
no thief try to govern and no liar command,
While as
we wait. Perhaps then, settlements like the ghettos
Of old
and my Uxbridge will become the museums
To the time
before wisdom straightened this sad twist
Of fate.
We should work on that as we’re kept and become
Our own
world of nations. In which all information is open
And can
be seen and shared on the screen. Then fresh
Exchanges
will work and we will know how and why
We need
shielding. Perhaps then we’ll fuel sleeping
And learn
and see through each window
How to
shape by day some fresh dream.
I feel
completely alone, but recognise now,
I’m a
city. And so I call to each Kingdom,
Forge a
treaty with me,
Share my
scheme.
David Erdos April 21st 2020
For more
poems from David Erdos visit The Corona Diaries collection
David Erdos is an actor, writer, director with over
300 professional credits. He is a published poet, playwright, essayist and illustrator.
He has lectured on all disciplines in theatre and film for leading performing
arts colleges, schools and universities around the world. His books include
EASY VERSES FOR DIFFICULT TIMES, THE SCAR ON THE CLOUD, OIL ON SILVER, NEWS
FROM MARS, CHANGING PLACES WITH LIGHT (penniless press) and BYZANTIUM with the
photographer Max Reeves. He is a contributing editor for The International
Times and maker of documentaries all over the world. David’s work has been
acclaimed by many leading figures including Harold Pinter, Heathcote Williams,
Alan Moore, Andrew Kotting, Chris Petit and Iain Sinclair in whose recent book
THE LAST LONDON, David features. He can be reached at David.erdos@sky.com.
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David Erdos |
© David Erdos has asserted his moral rights as author of his work and has full copyright.
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