BALLARD’S DOG
BALLARD’S DOG
Have we adapted too fast? You might
say
What choice was there? But under the
suffering
Shield, past survival seems a little
more stained
Than before. Just like a book that
has aged,
The paper once proud, appears
fragile,
As I strain to read, each eye older
and sadly
Unaffected by the slice of summer
light at the door.
The house is a tunnel today, with
front and back
Door both open, in order to grant the
illusion
Of movement towards the no longer
known
And unknown. Which seem to have
become
Very different things as mystery and
memory
Change position, and like a dog whose
lead
Tightens and with blindfolds on our
mouths,
We follow. It is an unremitting sun
now that fries
This small meal of words, this hot
poem,
Which gives no sustenance as I stir
it, here on
The patio and singed path. I am
reminded at once
Of High Rise’s first sentence. In
Ballard’s book,
The dog that’s been roasted is just
the first sign
Of chaos, and a madness, too, baked
to last.
But we should remember at once that
chaos contains
Many colours. It can also be calm as
limbs sever
And each former aspect of love crusts
and masks.
We can even forget how we were, lost
in the throes
Of ruined love, lust, and anger, so
to fall now,
Unguarded, as we scramble for hope
stains dyes cast.
I am writing for wariness, then. Or
some new form
Of caution. If we are to avoid Jim’s
predictions,
As artful as they are, where are we?
Are we perhaps
Out in the field, willing each tree
to source stories,
That were we to cut ourselves open
would soon reveal
Nature’s legends scored into our core
endlessly?
Or, are we still kept in our homes,
thrusting our hands
Behind every sofa, scouring
desperately for solutions
That money may provide. Can it still?
I sniff the air,
Like a dog. Tilting my face to this
unremitting sun,
My eyes open. The light’s accusation
astounds me.
Would that these words were water and
that the fire
I feel could not kill. And yet here
we are. We remain.
Burnt, but bewildered. Wracked but
still watchful
Of the cares yet to come through the
cool. This, we
Must guard, as Ballard’s barbequed
dog once book
Witnessed. For there will surely be
many pages
And roughly hewn stages upon which
Each lost Lear finds their heathspace
and where
The accompanying day makes us fool.
Our stories
May yet turn to ash but there is
still a chance
We may Phoenix. Howling the song that
hounds
Hollow before the flavours they chase
baste
Taste’s school. The act of
transformation’s begun.
As man as dog seeks fresh masters.
For the ones
We have will not save us. It is there
in HG Wells
And in Ballard. The shape of things
to come
Needs new tools.
David Erdos July 30th 2020
For more poems from David Erdos visit The Corona Diaries collection
David Erdos is an actor, writer, director with over 300 professional credits. He is a published poet, playwright, essayist and illustrator. He has lectured on all disciplines in theatre and film for leading performing arts colleges, schools and universities around the world. His books include EASY VERSES FOR DIFFICULT TIMES, THE SCAR ON THE CLOUD, OIL ON SILVER, NEWS FROM MARS, CHANGING PLACES WITH LIGHT (penniless press) and BYZANTIUM with the photographer Max Reeves. He is a contributing editor for The International Times and maker of documentaries all over the world. David’s work has been acclaimed by many leading figures including Harold Pinter, Heathcote Williams, Alan Moore, Andrew Kotting, Chris Petit and Iain Sinclair in whose recent book THE LAST LONDON, David features. He can be reached at David.erdos@sky.com.
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David Erdos
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© David Erdos has asserted his moral rights as author of his work and has full copyright.
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