SINS FOR SUNDAY by David Erdos - Poem 24 from THE PEOPLES PRISON

 Poem 24 from THE PEOPLES PRISON

SINS FOR SUNDAY

 

 

Turn the world upside down and you will catch

Some of Australia’s headache. As that sudden

Blood rush turns to migraine, the revolt of the soul

Breaks through skin as the police can through doors

 

Without cause or permit, making every private

Home their own outback, from which even stepping

Outside provokes sin. This stricture started in August

And runs alongside heat and harsh weather,

 

Draconian measures by which oppressive regimes

Attain scale. Victoria Premier Daniel Andrews decreed

That there was no reason to leave your homes whatsoever.

As democracy is dismantled, society itself’s up for sale.

 

We have cried across tiers, naturally for ourselves,

Yet beyond us Klaus Schwab’s ‘Great reset’ has been

Essayed; all its waiting for now is the mark. From some

Higher power that states the means by which we’ll start

 

Over, freshly scrubbed by a vaccine, to enter and yield

To the dark. Certainly, it would seem to be a police state

Down under there as officers smash partly opened Car

Windows. Under curfew’s claim full disclosure

 

Is the only way to avoid a glassed scar. The term

‘The Full Nazi’s’ been used in a Melbourne newspaper,

After 147 Covid deaths were reported and then

11 more tipped the chart. Under specific pretext

 

They’ve said, the seed of predestination is planted.

And the numerous weeds that spring from it

Turn their Winter heat to fear’s ice, as the Police

Will check in anytime, taking the place of your

 

Neighbours to criminalise Bruce and Sheila,

Whilst wrenching the word fate from fatal to make

Even Ned Kelly tremble as civil liberties shatter,

And others are taken under the thumb and boot, heel

 

And knife. Covid is seen over there as a PR campaign

For the fascists. Last year the flu killed more Aussies,

But then their Stasi like stance was not set. But now

The conspiracies soar as the cricket balls did, or the surfers

 

But not in a fanciful way; there, its practise. With curfew

And discussion raging from restaurant banning to echoes

Of Bill Gates’ dire warning that until global

Vaccination is completed the life we remember

 

Will be the very first thing to forger. And so the vast

Australian landmass becomes a testing ground

For the future. As we shuffle forth the screens

Watch us as we in turn join through screens,

 

Talking towards glass as the world becomes

A huge test tube, which always has a petri dish

By it, in which the mutation of germs looks obscene.

A former trigger’s been pulled, but who my friends

 

Is the target? Who is deciding the what and the where

And the when? As Science saves, a host of other

Strikes have been started. I don’t wish to ruin

Your Sunday, but 2021’s coming fast. What will end?

 

People are hoping for a return to the green, but what if

That shade’s set by Soylent? I’ve mentioned this before

But such fictions are all too prevalent now. They inspect.

Who would have thought that George Orwell would actually

 

Become our Big Brother, but one who in administering

Warnings is no longer there to protect. Man and Mother

Nature divorced. And now that familial faith has been

Questioned. It is a form of sibling rivalry as we suffer

 

In which a bad relationship just infects. And one that

Would be paid for of course by the systems that swamp

And surround us: especially those that stay hidden

And who in being borne aloft, can spear fact. Such as

 

The WEF’s Summit Peak due in January in which

That great reset I have mentioned will form the agenda

As the World Economic Forum discusses how the play

Around a pandemic can deliver of course a new act.

 

2008’s money fall revealed how each system has toppled.

Now their rebuilding requires a new kind of stone.

Will this be one made from bones, or from the flesh

That we offer? Microchip mountains, or blood

 

In the pipes of each home. Who is behind it?

Who knows. Schwab sketches it for us. But to see

The full painting or the grander tapestry will take

Time which we are running out of it seems, as squirreled

 

Away winter freezes and hibernation endangers

An active means now to climb the broken ladder

Towards the former home of the Giant; the one whom

Young Jack befriended, at a time when horrors and scale

 

Were mere tales. Now they are not and nobody fully

Knows what’s been written. It will have been done so

In code and not language, but in experiencing it

We may pale. The Australian bush fires burned and took

 

So many things with them. Now that vast expanse

Looks like parchment detailing how a Genesis may reverse,

Or indeed be begat, as we all wilderness walkabout

Still continues. Mine’s a Bungalow long. While down

 

Under and in our souls themselves each thought hurts.

So, line up. Move along. But let us not forget Mussolini.

He got the trains running faster, just as other

European lines passengered those of my stamp,

 

Delivered to smoke that keeps rising. These are

Old sins for this Sunday. So, beware:

Cold can burn us. And even silence too.

 

That’s absurd.  

 

 

 

 

 

 David Erdos, December 27th 2020

 

















For more poems from David Erdos visit The Corona Diaries collection 



David Erdos is an actor, writer, director with over 300 professional credits. He is a published poet, playwright, essayist and illustrator. He has lectured on all disciplines in theatre and film for leading performing arts colleges, schools and universities around the world. His books include EASY VERSES FOR DIFFICULT TIMES, THE SCAR ON THE CLOUD, OIL ON SILVER, NEWS FROM MARS, CHANGING PLACES WITH LIGHT (penniless press) and BYZANTIUM with the photographer Max Reeves. He is a contributing editor for The International Times and maker of documentaries all over the world. David’s work has been acclaimed by many leading figures including Harold Pinter, Heathcote Williams, Alan Moore, Andrew Kotting, Chris Petit and Iain Sinclair in whose recent book THE LAST LONDON, David features. He can be reached at David.erdos@sky.com.

David Erdos





©    David Erdos has asserted his moral rights as author of his work and has full copyright.


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