SPIDER MANNED by David Erdos

SPIDER MANNED

 

 

What the spider constructs
Out of well woven air stays astounding.
More intricate than a novel
Or a Borges dream, through spelled air

Is either Natures's magic or God's
Through a form of mathematic excretion,
'Black mirroring' the remediacy of our leaders
Who in weaving their webs, bluff and dare. 

The spider creates its new world
As Incantation's Director; Enfant terrible
Of all insects, this front man for fear
Writes the way

                            In which every subject

Is trapped:by both strategy and decision,
And by the patience that only the truly
Evolved can display.

A spider can live seven years;

Biblically as much as a famine.
Compare the time it traps to a dog's year
And then imagine Man spent and unsaved.
The spider works, paints and shapes,

Drawing from air full dimensions.
It sculpts through it's fluids the particular
Cage for its foe. One builds its cell between
Leaves in my small front garden,

And is at once the universe of all spiders
And all of the Biblical shifts man feared
Most. This particular spider is small
And I marvel at it. Were I to break

Its web, you'd see cultures respective
To ours avalanche. Entire libraries, wrent.
Theatres of belief cast and wasted.
Cinemas of disbelief since surrendered

As perspectives once held lay entranched.

A passing wasp neighbours the web.
But the spider waits, ever watchful,
While writing this galaxy in my garden.

I realise that it is us who are falling
Across unwritten air without knowledge
Of the method and means of life's dance.
For that ceaseless courtship's with death

Which the spider diagrams now before me.
It eats a husk, toying with it. Man works,
Without weaving. Each street's a thread.

God stays masked.  

     

 

 

 

 

 


 


David Erdos August 26th 2020 















For more poems from David Erdos visit The Corona Diaries collection 



David Erdos is an actor, writer, director with over 300 professional credits. He is a published poet, playwright, essayist and illustrator. He has lectured on all disciplines in theatre and film for leading performing arts colleges, schools and universities around the world. His books include EASY VERSES FOR DIFFICULT TIMES, THE SCAR ON THE CLOUD, OIL ON SILVER, NEWS FROM MARS, CHANGING PLACES WITH LIGHT (penniless press) and BYZANTIUM with the photographer Max Reeves. He is a contributing editor for The International Times and maker of documentaries all over the world. David’s work has been acclaimed by many leading figures including Harold Pinter, Heathcote Williams, Alan Moore, Andrew Kotting, Chris Petit and Iain Sinclair in whose recent book THE LAST LONDON, David features. He can be reached at David.erdos@sky.com.

David Erdos





©    David Erdos has asserted his moral rights as author of his work and has full copyright.


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