THIS CHRISTMAS, HER BIRTHDAY, THEN ME by David Erdos - Poem 20 from THE PEOPLES PRISON

 Poem 20 from THE PEOPLES PRISON

THIS CHRISTMAS, HER BIRTHDAY, THEN ME

 

 

Every Christmas, my Mum would make a sausage meat

Stuffing. It was the thing I most wanted, as until my forties

It was something she’d do just for me. When she died

One of these – a small loaf - had been left in her freezer;

 

A final fee to God as landlord and gourmet, made

In my kitchen as part of her last and lost tenancy.

At the end of this week eight years on, I will re-imagine

Her present and effort, seeing her as she cooked,

 

Full of cancer, mind removed from her horror,

As she mixed and kneaded, and overturned last

Sensations with her hands in the bland sausage meat.

She would add something: Matzohmeal, ketchup perhaps,

 

The yolk of an egg, and diced onion, and some extra

Aspect as, one eyebrow raised she worked on,

Employing part of the process of life, in which parents

Care for their children, at whatever age, without eyebrows, 

 

Or with her eyebrows thin, as fat shone, spurring

The heat and the hurt under which I now labour,

As I live without it, both the stuffing of course,

And her touch that came through the dish.

 

The places where the crust stuck to the foil looked

Like writing; messages in the method of this sweet

Meat loaf, missed so much. She would be making it

As I write, if she’d lived, close to her oncoming birthday.

 

She would have been eighty two and still strident

Placing love’s adoration and language into a greased

Bowl of glass. I will never taste it again. No son

Can ever really emulate his Mum’s menu. Or, indeed

 

See her when she has moved to a place none can pass.

But this has also happened with friends as they too

Retrieve lost sensations, and last December’s 20/20 Vision

Has become a Fifty-Fifty at best. As to where and how

 

We’ll go on in either some dream of ourselves,

Or in shadow. The ingredients we’ll be using

Will put our memory of the glare of the past

To the test. I have tried to make it of course,

 

Just as I now write my mother. Or, write to reclaim

Her when they are people this week who don’t see

What I have been trying to say. But of course,

They can’t. Screens aren’t mirrors. They do not receive.

 

They project you. And they frame you, too.

You’re not free. Instead you are housed in the active

Sense and inactive. As the world turns to water,

Mine starts to dry, spiritually. I miss the meat

 

Of my Mum, now that she is air and photographs

And this poem. And I miss that connection

As I know that now there are others with whom

I cannot share fluency. Is death a virus? Ask Christ.

 

As apparently, he recovered. But as we all strive

Now through sickness, will my Christmas gift

Be the sifting through the crumbs and contagion

Of a former child’s memory? This year we’re alone

 

On any number of levels. I look up.

My Mum’s watching. She turns the heat up.

Fear holds fire. Lilian walks into light.

 

Then, it’s me.

 

 

 

 

 

 

 

 David Erdos, December 20th 2020

 















For more poems from David Erdos visit The Corona Diaries collection 



David Erdos is an actor, writer, director with over 300 professional credits. He is a published poet, playwright, essayist and illustrator. He has lectured on all disciplines in theatre and film for leading performing arts colleges, schools and universities around the world. His books include EASY VERSES FOR DIFFICULT TIMES, THE SCAR ON THE CLOUD, OIL ON SILVER, NEWS FROM MARS, CHANGING PLACES WITH LIGHT (penniless press) and BYZANTIUM with the photographer Max Reeves. He is a contributing editor for The International Times and maker of documentaries all over the world. David’s work has been acclaimed by many leading figures including Harold Pinter, Heathcote Williams, Alan Moore, Andrew Kotting, Chris Petit and Iain Sinclair in whose recent book THE LAST LONDON, David features. He can be reached at David.erdos@sky.com.

David Erdos





©    David Erdos has asserted his moral rights as author of his work and has full copyright.


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