WATCH THIS INNER SPACE by David Erdos - Poem 28 from THE PEOPLES PRISON

  Poem 28 from THE PEOPLES PRISON


WATCH THIS INNER SPACE

 

 

As we might have expected or guessed the tiers fell

In fear of the familiar word at war with us; now,

The lockdown digs deeper, and this time, comrades,

Its enforced. I heard a fine of £10,000. Is that right?

 

Money you can only earn through computers,

As schools and offices become silent, and what feels

Like a Dystopian guard is endorsed. Are Nurses falling

Sick by Ward Doors, with the weight of the worse

 

And the worry, or does each competing jab save them

As we wait in line to be junkies for a life gracing fix

To get high, or rather low and subdued in our homes

As the DT’s of destiny and truth left by drinking

 

Forcefully compete with the shudder that comes

From the full ignorance of the why. Why has this

Happened to us? And how is it mastered? When

Will full freedom feature and how do we live

 

Altered so? The space is unfilled and now

Successive Governments glove us. By turning us

Inside out the new landscape becomes a country

Of Lounges, bedrooms and Kitchens with literally

 

Nowhere else you can go. And so I escape into music

Films, books, and to some extent my own writing,

Where I batter out protestation while remaining unable

Within to decide about what to do with my life, or even

 

The things I’m creating. It’s a style of Woody Allen angst

At a moment where everything we knew before crests

Time’s river and we remain stunned and sitting

On the increasingly stilled waterside. I make a cup

 

Of tea and then think of the cups I shared with you,

I see Hotel Rooms the world over where a similar

Sounding cup was once made. The boiling point

Has been reached and all we can do now is simmer,

 

Ready to scorch hands set for holding and make even

A daytime tea drinking resemble a mouthful of clearly

Deadly nightshade. Certainly mouths have been marred

Not to mention principles and most people, as many

 

Believe that biotics may contain a bionic strain after all.

Of course just as many refute this. But who is the less

Deceived, to cite Larkin where at an unversed time

 

Rhythm stalls. I can’t even read for too long. My mind

Remains too unsettled. So writing takes my hands

As I use them as if they were touching themselves.

Through the page and through the screen too, onto which

 

I project this brief feature. It has over fifty years in it

And whatever amount of time I haves left. Watch this space.

It may fade. Or it may yet fill with colour. Yesterday,

Five lovely things happened; caught off guard

 

I was shaken and didn’t know how not to feel so bereft.

I had been conditioned, Comrades in a new Gulag

Of their making. Or was it mine? The bars burn me.

Never mind the tea. I fear sun. Or I am more wary let’s say

 

Of where it eventually shines: what place is that?

One of abandon or one that has search lights at each corner

With a uniformed man, dog and gun. And so the innerspace,

The trapped dream still defies the glimpsed nightmare.

 

It adapts to fresh absence while its outer shield is soon

Breached by jab and by joist as we all become medieval

And Politics make us peasants that a further history

Will soon teach. Our Innerspace becomes worlds in slow

 

Retreat from each other. I orbit you. Saturn spurns us

And cold shouldering, turns away. As does, Jupiter, Mars

And all of those we would look to. If we lose the outer,

Then eventually, what on earth can we say?

 

The statistics mount, even soar. The cosmos charts

Cover carpets. Only the dying trace our means

But can’t tell us while the homeless become meteors.

What of them? Who can help? Or reel them in?

 

The world winters. I hide away like Neil Armstrong.

But then Neil Armstrong is dead. Nothing thaws.

Or won’t for a while. Watch out world. Things got

Lethal. As outerspace achieves echo, ET’s a blocked

 

Caller and the Avenue Astronauts lose their sense

Of gravity in closed gardens and seal their atmosphere

 

In behind doors. 

 

 

 

 

 

David Erdos, January 5th 2021

 


















For more poems from David Erdos visit The Corona Diaries collection 



David Erdos is an actor, writer, director with over 300 professional credits. He is a published poet, playwright, essayist and illustrator. He has lectured on all disciplines in theatre and film for leading performing arts colleges, schools and universities around the world. His books include EASY VERSES FOR DIFFICULT TIMES, THE SCAR ON THE CLOUD, OIL ON SILVER, NEWS FROM MARS, CHANGING PLACES WITH LIGHT (penniless press) and BYZANTIUM with the photographer Max Reeves. He is a contributing editor for The International Times and maker of documentaries all over the world. David’s work has been acclaimed by many leading figures including Harold Pinter, Heathcote Williams, Alan Moore, Andrew Kotting, Chris Petit and Iain Sinclair in whose recent book THE LAST LONDON, David features. He can be reached at David.erdos@sky.com.

David Erdos





©    David Erdos has asserted his moral rights as author of his work and has full copyright.


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